Friday, August 29, 2008

Yangshuo tour- Dougong Brackets (Guilin Tours, Yangshuo Tours)

The dougong is a system of brackets unique to traditional Chinese architecture. These brackets, arranged like baskets of flowers, are set under the overhanging eaves, adding to the sumptuous magnificence of the buildings.

Thanks to them the ancient Chinese edifices are so graceful with their upturned eaves and at the same time so well constructed and enduring.

The dougong bracket is a structural member found between the top of a column and a cross beam. Each is formed of a double bow-shaped arm (gong), which supports a block of wood (dou) on each side. Fixed layer upon layer, the arrangements bear the load of the root'. Owing to hierarchical restrictions in feudal society, the dougong structure can be found only in the most magnificent buildings such as palace and temple halls. The number of layers of these bracket structures also depended on the importance of the buildings.

The dougong is measured in "piles" which vary greatly in their complexity of structure, from those composed of 106 parts to the most simple made up of five. The number of "tiers" also vary in each "pile". To take the double-eaved Taihedian, the building of the highest grade in the country, as an example. Its lower eaves are supported by dougong brackets of 7 tiers, whereas the higher eaves, 9 tiers. The number of tiers, normally 9, 7, 5 or 3, also represents the extent to which the eaves protrude.

From the point of view of structural mechanics, the dougong structure is highly resistant to earthquakes. It could hold the wood structure together even though brick walls would collapse in the same earthquake. This helped so many ancient buildings to stand intact for hundreds of years.

Source: China tour, yangshuo tourDougong Brackets (Guilin Tours, Yangshuo Tours)
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Thursday, August 28, 2008

Yangshuo tour- Caisson Ceiling (China Travel, China Tour Packages)

Visitors to an ancient Chinese palace hall often have their attention drawn to the centre of the ceiling. The zaojing or caisson ceiling is a distinctive feature of classical Chinese architecture, if not unique to it. It is usually in the form of a sunken coffer bordered in a square, a polygon or a circle, decorated with elaborately carved or painted designs. This architectural decoration dates a long way back for it has been found in tombs of the Han Dynasty 2,000 years ago.


One of the most magnificent zaojing is that of Taihedian (Hall of Supreme Harmony) in the old palace of Beijing. Carved and built with consummate skills, its splendour has remained undiminished by time. The caisson consists of three parts of different depths. The central or deepest part is the round "well (jing)", the middle part is the octagonal "well", and the outermost part, coming down to the same level as the rest of the ceiling, is a square. The whole design symbolizes the ancient Chinese belief that "Heaven is above and the Earth below" and that "Heaven is round and the Earth square." Dominating the centre of the caisson is a coiled dragon looking down into the hall and holding suspended in its mouth a huge silver-white pearl. It vies for glamour with the gilded dragons on the columns, giving the throne hall a colourful yet solemn nobility not to be found elsewhere.

The Chinese name for the caisson ceiling, zaojing, means "aquatic plants" (zao) and "well" (jing), both having to do with water. It was so named because there was constant worry about fire which might destroy the palace buildings. With water from the zaojing, so the ancients believed, the threat of fire would be averted.

Source: China tour, yangshuo tourCaisson Ceiling (China Travel, China Tour Packages)
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Wednesday, August 27, 2008

Yangshuo tour- "Gold Bricks" (China Travel Agency, China Hotels)

Palace halls and courts have been paved with bricks for 2,000 years since the Spring and Autumn Period, and this has become a distinctive feature of classical architecture. Today one can see brick-paved floors and grounds in the Forbidden City, the Summer Palace, the Ming Tombs and similar places elsewhere. The bricks so used are called jinzhuan ("gold bricks").

Naturally not made of real gold, they are so-called because, when knocked, they produce a metallic sound. Another explanation ion for the name is that they were officially called during the Ming and the Qing dynasties jingzhuan (capital bricks) because bricks of this quality were meant only for the imperial house in the capital, In time, jingzhuan came to be known as jinzhuan or gold bricks. Whatever the reason for the unusual name, they did involve great costs and difficult skills to make and in this sense, the name might not be a great exaggeration.

The area around Suzhou used to be the home of these "gold bricks". Lying close to the Grand Canal, it abounds in a kind of fine clay most suitable as the material for compact bricks. To make those meant for the palace buildings, a strict procedure of manufacture must be adhered to. It included selecting the caly, pugging, setting, moulding, drying in the shade and, finally, firing in the kiln. This last process was the most complicated one. According to The Illustrated Book on the Selection of Bricks, a Ming Dynasty (1368-1644) work, (The unburnt bricks) after being put in the kiln, are smoked with smouldering husks for a month, burnt with fire-wood chips for another month, with twigs for a third month and with pine branches for yet another 40 days--totalling 130 days--before they are left to cool down and taken out of the kiln. The cost of a "gold brick" made this way was 0.96 taels of silver, enough to buy in those days one dan* of rice. Another source says that, during the reign of the Ming emperor Jiajing, three years were spent to produce 50,000 bricks of this quality, averaging only 5 bricks per day. All finished "gold bricks" were shipped to the capital by the Hangzhou-Beijing Grand Canal.

The laying of the bricks, like their manufacture, must follow strict prescriptions. A bricklayer assisted by two helpers could only lay five in a day. Every piece must be ground and polished on site in such a way that, when paved, they fitted perfectly with other pieces, leaving no crevices. The bricks must also be soaked with raw tung oil so that they became lustrously dark like black jade.

Worn by several hundred years of time and trodden during the last decades by millions upon millions of sighteers, these bricks have largely remained intact, thanks to their rock-like hardness. Now they are from time to time mopped with a kind of high-quality vegetable oil to get a new layer of protection.

Source: China tour, yangshuo tour"Gold Bricks" (China Travel Agency, China Hotels)
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Tuesday, August 26, 2008

Yangshuo tour- Patterned Footpaths (China Tours, Guilin Hotels)

On a stroll through a Chinese garden or park, one often finds oneself walking on footpaths of coloured pebbles arranged in patterns--a feature of Chinese landscape gardening.

These patterned paths are not designed by architects, but made by artisans from beginning to end. The paving of pebbles is a complicated job calling for skill and experience. First, lime mortar is spread out as the foundation layer, then the designs are outlined by means of plain and roofing tiles set in the mortar. On this is spread a special putty made of lime, wheat flour and tung oil, on which again are fixed the pebbles of various natural colours--green ones for plant leaves, black ones for animals' eyes, and so on. And the designs include all the usual subjects of traditional Chinese painting: landscapes, figures, flowers, birds, historical and popular legends.

The best of patterned footpaths in China are found in the Imperial Garden in the rear of the Forbidden City. The coloured pebbles there make up pictures under such familiar titles as "Magpie Announcing the Spring", "Dragon and Phoenix", "Cranes in Clouds", "Guan Gong Felling an Enemy", "Two Greybeards Watching a Game of Chess" and so forth, which symbolize good luck, victory, longevity and the like.

On the whole, patterned paths are found more often in parks and private gardens in the southern provinces than in the north. Prominant in this respect are the gardens in Suzhou, where the designs on pebbled paths display a wide range of subjects. Some are just geometric patterns, for instance a square inside a circle like an ancient copper coin, signifying the old belief that "heaven is round and earth square". Others are in the forms of bats and cranes, Chinese symbols for good fortune and long life. Still others are patterned after the fishing net, expressing perhaps the general wish for affluent abundance.

Source: China tour, yangshuo tourPatterned Footpaths (China Tours, Guilin Hotels)
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Monday, August 25, 2008

Yangshuo tour- Zoomorphic Ornaments (China Travel Agency, Yangshuo Tours)

Chinese palaces, temples and mansions have on their roofs a special kind of ornaments called wenshou or zoo morphic ornaments, some on the main ridges and some on the sloping and branch ridges.

The monstrous thing at ether end of the main ridge, called chiwen, appears roughly like the tail of a fish. Fierce and formidable, it looks as if it were ready to devour the whole ridge; so it is also know as tunjishou or the ridge-devouring beast. It is, according to Chinese mythology, one of the sons of the Dragon King who rules the seas. It is said to be able to stir up waves and change them into rains. So ancient Chinese put a chiwen at either end of the main ridge for its magic powers to conjure up a downpour to put out any fire that might break out. But for fear that it might gobble up the ridge, they transfixed it on the roof with a sword.

At the end of the sloping and branch ridges there are often a string of smaller animals, their sizes and numbers being decided by the status of the owner of the building in the feudal hierarchy.

The largest number of zoomorphic ornaments is found on the Taihedian Throne Hall or the Hall of Supreme Harmony of the Forbidden City. Leading the flock is a god riding a phoenix, after whom come a dragon, a phoenix, a lion, a heavenly horse, a sea horse and five other mythological animals, all called by unusual names. Quanqinggong (the Palace of Heavenly Purity), which the emperor used as his living quarters and his office for handling daily affairs, being next in status to Taihedian, has a band of nine animal figures. Still next in importance is Kunninggong (the Palace of Female Tranquility), which served as the empress's apartments; it has a group of seven zoomorphic figures. This number is further reduced to five for the twelve halls in side courtyards, that used to house the imperial concubines of different grades. Some of the side halls have only one animal figure each on their roofs.

These small animals were also believed to be capable of putting out fires. While this can be easily dismissed as superstition, they do add to the grandeur and magnificence of the imperial buildings.

The earliest ridge animals so far discovered in the country came to light in 1960 in a suburban area of Shashi, Hubei Province. On the interior wall of a roll tile which served as the body of a ridge animal figure was engraved "first year of Yuanguang", which means the year 134 B.C. It can be seen that installing animal figures on roof-ridges has been an established practice for at least 2,100 years.

Source: China tour, yangshuo tourZoomorphic Ornaments (China Travel Agency, Yangshuo Tours)
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Sunday, August 24, 2008

Yangshuo tour- Roof Crown (China Travel, Guilin Tours)

One of the structural members of traditional Chinese architecture, the baoding (literally, "treasure top") stands at the centre on top of certain types of pavilions, pagodas and towers which have no horizontal main ridges. Normally made of glazed tile, it may be in one of several forms (a gourd-shaped bottle, a vase, a pagoda, etc.), often surrounded by bas-relief carvings of dragons, phoenixes, peonies and the like.

The roof crown is not only an ornament at the top of a building but helps to reinforce the roof itself. Buildings on which baoding crowns are found are all constructed according to a traditional method by which the wooden parts of the roof structure go upward and gradually gather together at the top of a king post in the middle. The king post keeps the roof structure securely balanced rather like the stick of a parasol holding the ribs of its frame together. To give additional strength to the structure, ancient Chinese used glazed material for the crown to protect the king post from weathering and erosion. As the top of a building is most vulnerable to lightning, the king post was named in old times leigongzhu (post of the God of Thunder) in the hope that thunderbolts might keep away.

Many ancient buildings of this type thanks to the king posts and roof crowns, have stood innumerable tests including storms and earthquakes over the ages and remained intact down to this day. Zhonghedian (Hall of Complete Harmony) and Jiaotaidian (Hall of Union and Peace) in the Forbidden City (where the Ming and Qing emperors handled state affairs) have roof crowns completely gilded with gold, in harmony with the sumptuous surroundings and setting them apart from the red-or green-glazed crowns of lesser buildings.

Source: China tour, yangshuo tourRoof Crown (China Travel, Guilin Tours)
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Friday, August 22, 2008

Yangshuo tour- Pavilions (China Tour, Guilin Hotels)

A common sight in the country, the Chinese pavilion (ring, which means also a kiosk) is built normally either of wood or stone or bamboo and may be in any of several plan figures--square, triangle, hexagon, octagon, a five-petal flower, a fan and what not. But all pavilions described as ting have this in common: they have columns to support the roof, but no walls. In parks or at scenic spots, pavilions are built on slopes to command the panorama or on lakeside to create intriguing images in the water. They are not only part of the landscape but also belvederes from which to enjoy it.

Pavilions also serve diverse purposes. The wayside pavilion is called liangting (cooling kiosk) to provide weary wayfarers with a place for a rest and a shelter in summer from the sun. The "stele pavilion" gives a roof to a stone tablet to protect the engraved record of an important event. Pavilions also stand on some bridges or over water-wells. In the latter case, dormer windows are built to allow the sun to cast its rays into the well, as it has been the belief that water untouched by the sun would cause diseases. Occasionally one finds two pavilions stand side by side like twins. In modem times, kiosks (also called ring in Chinese) have been erected in urban areas as postal stalls, newsstands or photographers' sheds for snapshot services.

Rare among pavilions are those built of bronze. The most celebrated of these is Baoyunge (Pavilion of Precious Clouds) in Beijing's Summer Palace. The entire structure including its roof and columns is cast in bronze. Metallic blue in colour, it is 7.5 metres tall and weighs 207 tons. Elegant and dignified, it is popularly known as the "Gold Pavilion".

The largest pavilion in China is also in the Summer Palace. The ancient building, named Kuoruting (the Pavilion of Expanse), has a floor space of 130 square metres. Its roof, converging in a crown on top and resting on three rings of columns (24 round ones and 16 square ones), is octagonal in form and has two eaves. With all its woodwork colourfully painted, the pavilion looks at once poised and majestic, well in harmony with the surrounding open landscape.

Source: China tour, yangshuo tourPavilions (China Tour, Guilin Hotels)
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